The artists in the room for Roots & Routes, in their own words where we have them. The first call has closed, and this page grows as bios and photos come in.
Wednesday, November 18, 5 to 8 PM. Live music, spoken word, an open mic, and work shown and sold in the room. Artists keep 90 percent of every sale; the rest seeds the A to Z Fund.
The night opens in the front room, moves to the main stage, comes back for spoken word and an open mic, and closes on the main stage.

Photo: Sascha Rose
Sascha Rose pulls from an array of Black American Music to form genre-bending and experimental songs. She is a self-taught music producer who has primarily used Ableton to record all of her music. Now expanding her practice to include drum machines and loop pedals, she is exploring the intersections of electronic music production and using traditional folk instruments such as the banjo. By blending and sampling her own voice with the violin, as well as gospel and trap, such as Pastor T.L. Barrett, Georgia Anne Muldrow, and Kodak Black, she continues to shape her music through collaboration and an amalgamation of Black genres.
Sascha opens Roots & Routes with a twenty-minute solo set. First thing anyone hears when they walk in the door.

For the past 25 years, trumpeter Marc Chillemi has been an active part of the greater Portland music community. He is a member of the classic Cuban dance band Primo Cubano and leads Raging Brass, a local Afro-Caribbean brass band.
The trio puts a fresh spin on familiar jazz melodies, blending improvisation and heavy grooves with a steady backbeat. Organic jazz sounds meet electronic textures, creating a sound that is both familiar and new. The vibe is open, upbeat, and improvisational by design. Groove. Improvise. Repeat.
Presented with Brass Roots Productions, a community arts organization that preserves, presents, and explores diverse musical traditions through performance, education, and cultural engagement.

The Finestkind’s soulful sounds resonate out of Maine’s rocky coast, from gritty low-tide funk to inspirational evergreen roots. Known for their review shows where the band, composed of some of Maine’s most seasoned musicians, backs some of the state’s premier artists like Kenya Hall, Connor Garvey, Spencer Albee, Gina Alibrio and many more. For the artists, it’s like driving a Ferrari. For the audience, it’s an invitation to experience the breadth of talent coming out of Maine. And though they may not know the individual artists, they will always know that when The Finestkind comes to town, they’ll be in for some musical magic.
The band released Resurgam in 2025, an album of cinematic instrumental soul with nods to golden era hip hop fit for a Tarantino film. Also that year, they released collaborative singles with Connor Garvey, Joshua Eden and Sarah Boyden.
The band was founded by drummer, band leader and producer Dan Boyden. The inspiration for this community forward, collaborative musical entourage is Dan’s family, an incredible cast of musicians, teachers, artists, builders, actors and community organizers, and most significantly Dan’s mom, Annie Boyden. Whether it was leading the Finestkind String Band, manifesting community theater, building an arts center, curating workshops, or teaching in schools, Annie, with her husband Perry always at her side, sought to inspire, encourage and educate the artist within everyone. For her, art was “not just a way to express oneself … but rather the creation of an attitude and awareness that allowed for participation and celebration in the art of living.”
In this spirit, Dan aims to use his years of experience as a band member, band leader, producer and musical director to create projects that highlight the incredible creative community that is connected to and surrounds Portland, Maine. The Finestkind closes Roots & Routes with a full hour on the main stage.

Photo: Rylan Hynes
Maya Williams is a religious Black multiracial nonbinary suicide survivor who served as Portland, Maine’s seventh poet laureate for a 2021–2024 term. Maya’s poetry has been longlisted for Omnidawn’s 2025 Poetry Open Book Contest. Maya’s published full-length poetry collections have been nominated for a Maine Literary Award and a New England Book Award. Maya’s published chapbooks have won contests by Garden Party Collective and The Headlight Review. Ey will have eir full-length collection Feminine Morbidity published by Fifth Wheel Press in 2028.
Maya will be reading up to ten minutes of original spoken word poetry, opening the spoken word block.
The tables are set. These artists are showing and selling on November 18, with two painters working live in the room. Artists keep 90 percent of every sale; 10 percent goes to the A to Z Fund.
“My paintings explore intimacy, queer kinship, and the ways we find connection within the ecosystems around us. Working primarily with acrylic and oil, I combine figurative imagery with Maine insects, plants, patterns, and layered surfaces to create environments that feel both familiar and otherworldly. The work considers identity, survival, and interdependence, using the natural world as a space to think about belonging, vulnerability, and the relationships that help us thrive.”
Textured 2.5D photography, with work that came out of life at sea and on land. Amy shows at the Maine Art Collective on Middle Street in Portland, at TaleSpin Studio, and at Gallery 11 in Perkins Cove. Bio and photo in her own words coming.
“I paint what my ancestors knew: aerial views and open ocean, coastlines and harbors, the geometry of cities, the expanse of farmland.”
Gouache and oil on panel, painted from her own photographs: Casco Bay and Penobscot Bay, Maine islands, Ireland, Scotland, fog and weather. Raised in England with Turner in reach, trained at the University of Michigan and Boston University, and a student of Diane Dahlke at Maine College of Art. In 2020 she launched Leadership Portland.
Most recently I have been exploring migrations in my work. I am using earth toned inks on various papers and fabrics applied with artist-made brushes, layered and sewn with thread and dotted with black ink to human visualize the very human practice of migrations—traversing the terrain from one place to another. All living things migrate—butterflies, insects, snakes, birds, viruses, animals, flowers, trees, people.
I was born in Maine, and am the middle generation of three generations of visual, literary, healing, and performing artists. My Abenaki ancestors migrated throughout the Wabanaki Territory, and my French Acadian ancestors (once Celtic indigenous peoples in Central Europe) migrated to the Wabanaki lands in the 1600s. I hold a BA and an MFA from Lesley University. I maintained an art studio in Houston, TX for more than a decade and am now producing work in Studio 2 at Running With Scissors, in Portland, ME. My work has been exhibited across the U.S. and in Canada and my work can be found in several private collections across the country.
“Abstract finger painting inspired by meditation and movement, with ocean, sky, and nature themes.”
Bio and photo coming.
A prolific artist and a longtime friend of A Thousand WordZ. Bio, work, and photo coming.
Three artists from one Biddeford family share a table: Coco Corral, metalsmith and maker in other media; Gil Corral, painter; and ChloeViolet Corral, 3D animator and digital artist. Bios and photos coming.
“I’m a painter, and my work is figurative and features moody, colorful characters and scenes that I often try to bring to life through animations. As a frequent sketcher of crowds and concerts, I’d love the opportunity to do some live painting in a direct performance and event space.”
Kat paints live through the night, with the music, as the room takes shape around her.
Running With Scissors is bringing six of its makers into the room. Four are named so far, with two tables still to fill.
Tables for November 18 are filling. The directory stays open, and artists who submit now are first in line for the next night.
Ugly Duckling on Wheels is the food truck from the team behind the West End restaurants Ugly Duckling and Chaval. They are parked at Madrid’s from 4 PM, with a portion of sales going to the A to Z Fund. Eat before, between sets, or on the way out.
Live at Madrid’s, 144 Fore Street, Portland. Tickets on sale October 13. Pay what you can at the door; nobody is turned away.